Indie Author Samantha Goodwin, author of the newly released Murder at Macbeth, chats with me about her writing process, writing tips, and publishing.
1. How long have you been interested in writing crime fiction and was
there a particular book, movie, or news story that got you hooked?
I’ve always been drawn to the crime genre, from books and TV shows to murder mystery games! There is such a sense of satisfaction in trying to identify the culprit in an intriguing whodunnit, especially when there are lots of twists and turns as new clues turn up. I’ve always found the best mysteries hook you so well that you end up thinking about solving the crime even when you’re not reading it.
One of the most influential books for me was The Girl on a Train by Paula Hawkins. I really loved how the story unfolds through different narrators’ perspectives and the mystery is gradually revealed. That writing approach is definitely something that influenced my own novel.
2. Do you prefer to pre-plan your stories or are you able to let them
develop organically as you write?
I always start with a rough one-page outline that details the overall story arc and then from there on I tend to go with the flow and let the story grow naturally. I definitely find the beginnings the hardest, so much so that I actually wrote my novel out of linear order and finished the second half first which was much more exciting to create as there are lots of twists and turns and unexpected revelations. Then I backtracked to write the beginning to set the scene.
3. What would you say is your number one tip for making sure the crime, any clues or foreshadowing, subtext, etc. all hang together in a way that’s satisfying for the reader?
My number one tip would be committing all questions raised and clues introduced to paper in a bullet point format, so you can assess during the editing stage to make sure everything has been resolved by the end of the novel. As a crime author I find that process incredibly valuable as it’s so crucial to make sure that answers are provided to all the questions that occur along the way so the reader is satisfied.
One technique I found helpful was to have the detectives reiterate certain clues and questions to present different sides to the story and make the reader consider which suspect would have the most compelling motive to want the show’s leading lady dead.
4. How do you approach research as a crime writer? Do you have any
Well I am incredibly lucky to have two friends who are police officers so I set up interviews with them in order to pick their brains on how everything would work! Research was really important for the police procedural element of my book, so it was great to hear first-hand how everything would work in practice.
Regarding the rest of the research I scoured the Internet for topics as diverse as how you could commission a bespoke replica dagger and what internal damage a stomach stab wound would cause. I’m sure I’m probably on an FBI watchlist somewhere!
5. Do you have any writing rituals or things you always do before and/or during writing sessions?
I handwrite everything as I find my ideas flow better! It’s great because it means I can write anywhere, my favourite location is outside on those rare sunny English days. It is however, not the most time-efficient way of writing as then I have to spend time typing everything up as I go along and start editing!
6. If you were to ever write in another genre besides crime, what would it be?
I absolutely love reading dystopia books, so it would be interesting to explore that genre. I think it’s so great to have that sense of escapism of experiencing another world.
7. Finally, what is the biggest piece of advice you wish you could go
back and tell yourself prior to starting your writing/publishing journey with Murder at Macbeth?
Believe in yourself, and surround yourself with positive people who will spur you on. Writing groups and online communities are great for when you need advice. I started my author Instagram account quite late during the editing process after I had already finished writing the bulk of my novel and I wish I had connected with other like-minded authors earlier on as I have found them incredibly inspirational.
Also don’t worry about getting it right first time. One of my favourite writing quotes is from Shannon Hale who said, “I’m writing a first draft and reminding myself that I’m simply shovelling sand into a box so that later I can build castles.”
Murder at Macbeth is just the kind of book you’d want to read relaxing by the pool in the summer or curled up under a blanket on a cold winter’s night. It’s the kind of book you can’t seem to put down, even when you know you should be doing other things!
The story is told through a series of police interviews and flashbacks after a small theater production of Macbeth goes horribly wrong. As the story unfolds, so does the tangled web of personal dramas that entwines the cast of the play, including its director. As each character comes to life before your eyes, you start to realize that any one of them could be the mastermind behind that fateful night–so who’s really to blame? Could it be a team effort?
Every time I thought I’d figured out whodunit, new information came to light that shifted my suspicions elsewhere. It wasn’t until close to the end that I was pretty certain who was behind the theatrical crime, and even then I wasn’t sure until the story confirmed it. There were so many wonderful twists and turns in this story, it certainly kept me guessing!
I had an absolute blast reading this book and highly recommend it! The best part of all is that starting today (6/20), the Murder at Macbeth e-book is on sale for 99 cents/99p on Amazon for a week! You can also read it for free if you have Kindle Unlimited!
Also, be sure to check back here on Friday when I’ll be sharing an interview I did with the author of Murder at Macbeth, Samantha Goodwin!
If there’s one thing we writers hear constantly, it’s “you should be writing.” We say it to ourselves, we say it to each other, we post it in memes and on sticky notes affixed to our laptops: Why aren’t you writing?
Ninety-Nine percent of the time, this is good. It’s our way of keeping ourselves and each other moving forward. Most of us need that swift kick in the backside, or we’ll never close Netflix and write instead.
But there’s an unintended side effect to this beloved cheer–one that can only be felt in dark, lonely corners–it’s guilt. Those corners are infested with it, like a creepy basement crawling with spiders. And we’ve all been there. No one’s a stranger to the dark, lonely corners, though we retreat to them at different times, for different reasons. I’m there right now.
I’ve been drifting in and out of my dark corner for the past year, popping my head in for a day or two here, a week or so there. Sometimes I wanted to stay a little longer, but the guilt got the better of me, so I kept coming back before I was ready. And maybe for a while that was a good thing? It’s hard to say for sure, but what I realized after so many fleeting, guilt-ridden dark corner visits is this: I wanted to go to my dark, lonely corner, but I didn’t want it to be dark and lonely and riddled with guilt-spiders anymore. I wanted to string up some fairy lights, add some bright fluffy floor pillows, and I wanted to be able to interact with my cherished writer friends without feeling like a non-writing phony.
Because the thing is, I haven’t touched my story in weeks. I’ve been a little stressed, a little anxious, a little tired, a little depressed. When I’ve tried to sit down and write, something inevitably interrupts, as though the universe itself is telling me to take a break. That it’s okay to take a break.
So, I decided to do it. Writer friends, I’m sitting here now, writing to you from my cozy little corner, cheering you on from the sidelines while you do what you do. If you’re feeling like me, grab a fluffy floor pillow and join me in front of my Netflix box. It’s okay.
And that’s just it: IT’S OKAY.
Taking a break isn’t a bad thing. In fact, it’s chalk full of several essential nutrients that writers like us need. Breaks allow us to:
See? All GOOD things! Nothing to feel guilty about. Your story will be there waiting for you when you’re ready for it.
As for me, I’ll be back soon. I’m taking the rest of the month to hang out in my corner. The plan after that is to dive back into my story during Camp NaNoWriMo, which seems to me the perfect way to come back after a nice long break. Now… what’s next in my Netflix queue?
The Forest is the kind of story you’d expect to find in a dusty old tome if you wandered into a magical bookshop in an old English village. It’s a timeless epic tale full of mystery, love, magic, folklore, and the complex interweaving of human hearts across the eras.
The story centers on a rural village called Wykenwode, perched at the edge of an ancient and mysterious forest, which is guarded by an unseen barrier that only a predestined few can pass beyond. Those who can enter the heart of the forest often feel they are not alone, that something lurks in the shadows, watching and waiting–but for what?
Generation after generation, the villagers of Wykenwode are tormented by an ancient curse of unknown origin. When the White Hind appears, love will turn bitter, and jealousy will turn to murderous rage. Three young people will die, and nothing can be done to stop it.
We’re led through this fascinating tale by three childhood friends: the farmer’s daughter, Sally; the blacksmith’s son, Jack; and the forester’s son, Reuben–three well-developed characters whose fates are deeply entwined, with each other and with the forest itself. The question is whether their love for each other will help them survive the Wykenwode curse, or will they’ll be its next victims?
Julia Blake is one of the best, most imaginative indie authors I’ve yet encountered, and this story is a genuine triumph of storytelling. It’s a little bit historical fiction, and a little bit fantasy. There’s mystery and suspense, magic and supernatural. And there’s love–beautiful, heartbreaking, complicated, dangerous love. And I think that’s one of the things I liked best about this story: it’s deeply, wonderfully, and heartbreakingly human. Friendship, family, first love, later-in-life love, loss and grief, coming of age and all that comes with it, and all of the complicated things that go hand-in-hand with human relationships are woven through the fabric of this timeless tale.
This story was beautifully written and so much fun to read. I quite literally couldn’t put it down by the time I reached the middle. It’s the kind of story you know will stay with you long after you read it, and since I’m a slow reader, I don’t re-read a lot of books, but I will absolutely be reading this one again!
Indie author Melissa L. Colon, one of my critique partners and longtime best friends, talks with me about writing, self-publishing, and being an indie author.
Julia: You’ve been a writer for more than 25 years and recently published your first novel, Colder Weather. How has becoming an indie author changed your view of yourself as a writer, and has it changed your approach to writing at all?
Melissa: I think in the beginning, imagining anything I’d written ending up in book form, was kind of like this unattainable dream. I always liked to write, but the majority of my stories were never book length, and the only thing that came close was a fan-fiction piece I wrote in the mid-90s. Colder Weather was really my first attempt at writing something that wasn’t more than a few pages long. Even after it was finished, I wasn’t really sure what to do with it. A friend was self-publishing, but at that time, most of my writing was just for a smaller audience, and I don’t think I was really prepared to push myself into the next stage, whatever that might be. After completing Colder Weather, I gained a lot of confidence in my abilities to create novel-length fiction, as well as creating compelling characters that others would be interested in investing their time in.
I tried to change my approach to writing, but in the end, I went back to what works for me. I’ve always been kind of a Panster in regards to fleshing out a story. Sometimes I have the basic idea of the story, and sometimes, it’s even less than that, and I just start fleshing out the details in this kind of haphazard way. A lot of my planning really is just chapter to chapter. Or, it could be, getting from one story related goal to the next. After Colder Weather, I wanted to be a Planner. I wanted to outline and detail and do all those wonderful activities that others do, and I started down that road with a piece that I’ll call Project SK. I did a character analysis for my main character. I created the world she’ll live in, down to building a bit of a “brochure” to give the place more life. But, as I was doing that, another piece of fiction really started taking form in my head. The more I tried to plan Project SK, a new project was begging to be written, old-school, fly by the seat of your pants style. So, I resigned myself to the fact that Project SK needed to go on the back-burner and my next novel, code name TBH, is moving along nicely.
Julia: Self-publishing is something a lot of writers want to do but are afraid to try. What inspired you to take the leap, and what advice do you have for writers who want to self-publish but are nervous about it?
Melissa: My inspiration came from two friends, both published Indie Authors. I was nervous about putting Colder Weather out there for the world to see, but they were both patient and willing to share their experiences, and that made it less daunting for me.
My advice would be that nervous is normal. I was a wreck off and on while editing Colder Weather, but in the end, I’m pleased with the end result. I highly recommend a writing buddy or someone that you can rely on to give you honest feedback about your work. You may not always take every suggestion that your writing buddy makes, but it helps to have an outside view of your story from someone you trust.
Julia: In what ways has your writing evolved over the years, and what would you say has been the most instrumental thing in helping you develop your craft?
Melissa: My writing has evolved in so many different ways over the years. My first attempts at writing fiction were awful. Lots of dialogue. Very little description. Clunky and full of holes. But, it was a start. From there, my writing started to improve, and I figured out that fiction needs more description to set the scene. More emotion to convey feelings. Etc. The other thing that I’ve evolved into is going from third person/past tense to first person/present tense. While I understand that there is some controversy with first person/present tense, I like the idea of feeling like you’re along for the ride. With third person, you get the benefit of knowing what multiple characters are feeling/thinking, but I’ve really started enjoying looking at the world I’m building from only one character’s POV.
Julia: One of your many writing talents is weaving the threads of the story through the lives of all your characters. Do you have a natural feel for how each character relates to and processes the events of the story, or is it something you have to plan out?
Melissa: I guess I’d have to say it’s a natural feel. I really know very little about each character as I start each new piece of fiction. I always like to think that the characters are telling me the story, vs. I’m pre-determining their actions/reactions. In my newest novel, TBH, I set up the main character, his family, and the event that shapes the start of the book, but the characters really took on their own lives and their own reactions all by themselves.
Julia: Do you have any writing-related goals for the coming year?
Melissa: I do. I’m in the process of writing TBH. I currently have 9 chapters completed, and it’s about 15,000 words so far. My goal is to finish it and start the editing process. I also need to find a new cover designer because the one I used last year is taking a hiatus, so if anyone has any recommendations, please send them my way. ♦
Do you like me? Check yes or no. When sixteen-year-old Emma Jordan unexpectedly runs into her childhood crush, Jace Brown, old feelings come surging back to life with new intensity. As the snow falls and winter closes in, Emma’s world opens up as she navigates first love, changing friendships, and family tension. But young love rarely lasts forever. As Jace deals with changes in his own life and follows his dreams, will their relationship stand the test of time? Or will Jace keep drifting in and out of Emma’s life just like the colder weather?